The selected input channel and track will be connected internally. To cancel all record-sources and record-destinations, move the cursor to this button and press the [ENTER] key. In the screen, the symbol for the corresponding input channel will be highlighted, and a line will appear, indicating that this channel is connected to the bus.
When you use bus recording, it will not be possible to adjust the pan or volume balance for individual instruments after they have been recorded on the track s.
However by changing an internal setting, you can use the faders to control the input levels of the input channels. Before you begin recording, set the tempo and volume of the metronome. If you will not be using the metronome while recording, you can skip the following procedure.
Adjusts the metronome volume level. The current value is shown above the knob in dB units. If you want to change the tempo or time signature, press the [STOP] key to stop playback, and perform the following procedure. These are the events recorded in the tempo map. Graphically indicates the presence of data and markers in tracks 1—16, pad tracks 1—4, and the stereo track. Selects the track that you want to operate in the screen.
When you move the cursor to this button and press the [ENTER] key to mute the currently selected track. When you move the cursor to this button and press the [ENTER] key, the waveform of the currently selected track will be displayed. In the track view within the screen, the vertical line that indicates the current location will advance toward the right.
The metronome sound will not be recorded on the track. I In point and O Out point symbols will appear in the track view of the VIEW page, indicating the location of the most recent recording operation. Repeat steps 2—5. Assignments of the input signals to tracks will be cancelled. It will no longer be possible to press the [REC] key, and this will prevent recording from occurring accidentally.
Please be aware that the recorded content will be lost if you turn off the power of the AW before saving the song. When two channels are paired, most of their parameters will be linked, so that operating one of the channels will cause the same setting to occur on the other channel as well. This is convenient when you are recording a stereo audio source, or when you want to play back two bus-recorded tracks as a single stereo track.
While channels are paired, the even-numbered fader has no effect. The levels before and after passing through Pan will be the same.
In the case of paired channels, setting the pan to center will produce nominal level. The input library is a library of settings used to apply internal effects, EQ, or dynamics settings to the input signal when you want to record the processed signal.
In this popup window, you can select whether the internal effect 1 or 2 will be patched to the input channel. For this reason, you can use the internal effects on a maximum of two channels. This is the library list. The line surrounded by a dotted line in the middle of the list is the data that is selected for loading.
The data of the selected library will be loaded, and the internal effect, EQ or speaker simulator , and dynamics effect will be applied to the input signal. Welcome to ManualMachine. We have sent a verification link to to complete your registration. Log In Sign Up. Forgot password? Enter your email address and check your inbox.
Please check your email for further instructions. Enter a new password. AW Operation is subject to the following conditions: 1 this device may not cause harmful interference, and 2 this device must accept any interference received including interference that may cause undesired operation. See user manual instructions if interference to radio reception is suspected.
CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. Always turn the power off when the device is not in use.
Caution for Laser This product utilizes a laser. Copyright Notice Copyright and other intellectual property laws in various countries permit reproduction of copyrighted materials under certain requirements. Before you start 9 Introduction Listening to the demo song 27 Connect external devices and turn on the power Recording to a sound clip 33 Connecting your instrument or mic Track recording 39 Creating a new song Overdubbing 55 About overdubbing Various types of playback 65 Using the locator Using libraries and scene memories 73 About the libraries Mixdown and bounce operations 81 About mixdown and bouncing Contents Quick loop sampler About the quick loop sampler Track editing What you can do using editing commands Song management About songs Importing data from an existing song Chapter 1 Before you start This chapter explains what you should know before you begin using the AW About the built-in CD-RW drive.
Eject hole Eject switch. A popup window will ask you whether you want to save the current song. Chapter 2 Introducing the AW Top panel Work Navigate section P. B Contrast Adjusts the brightness of the display. B Pads 1—4 Each of these pads plays back the sample that has been assigned to it. B [DYN] knob Turning this knob will adjust the dynamics depth for the currently selected channel. J [VIEW] key This key accesses the VIEW screen, where you can check the level of each channel, or perform on-screen adjustments to the faders and other mix parameters of each channel.
B REW [ ] key This key rewinds the current location. Rear panel 5 4 3 2. C FF [ ] key This key fast-forwards the current location.
B Eject hole This hole allows you to open the disc tray manually. C Access indicator This indicator will light while the CD inserted in the drive is being accessed. Viewing the display The display of the AW shows the following information. B Selected channel This indicates the mixer channel that is selected for operations. Pad channels 1—4 Operating the knobs or keys of the Selected Channel section will edit the parameters of the channel that is selected here. C Counter left side This indicates the current location within the song.
E Main screen The information displayed in this area will depend on the key that was last pressed. Inputting text When you create a new song or save a scene memory or library setting, a popup window will appear, allowing you to assign a name for the song or setting.
B Text palette This displays the characters, numerals, and symbols that can be input in the text input box. E button If you move the cursor to this button and press the [ENTER] key, the character that is currently selected in the text input box will be switched between uppercase and lowercase.
G DEL button When you move the cursor to this button and press the [ENTER] key, the currently selected character underlined will be deleted, and subsequent characters will move one character forward. Using the Selected Channel section You can use the knobs and keys of the Selected Channel section to directly operate the mix parameters EQ, dynamics, pan, etc. The channels correspond to each key or pad as follows.
The following items will change when you turn each knob. Turn the [DYN] knob This changes the depth of dynamics processing. If the stereo output channel is selected, this adjusts the return level from internal effect 1. Pressing each knob or button will access the following screens. Chapter 3 Listening to the demo song.
Connect external devices and turn on the power The following diagram shows a typical example of connections to the AW After the opening screen, the following screen will appear. The SONG screen will appear, where you can save or load songs. In this page, you can select a song on the hard disk, and load or delete it. The demo song will be rewound to the beginning.
The demo song will begin playing. Chapter 4 Recording to a sound clip The AW has a Sound Clip function that lets you record and play back independently of the recorder section.
C Level meter This indicates the input level of the input channel. The symbol in the window indicates the location at which the level is detected. You will return to the previous screen. The CLIP screen will appear, where you can record and play sound clips. B Metronome knob sound Adjusts the volume level of the metronome. The value clip shown above the knob shows the current setting in dB units.
Rewinds the current location toward the REW [ ] key beginning. You will stop when you reach the location at which you began recording or the Start point. Fast-forwards the current location. You will FF [ ] key stop when you reach the location at which you stopped recording or the End point. PLAY [ ] key Starts playback. Pressing this key during playback does nothing.
Pressing this key during play- back does nothing. The current location will be registered as the Start point. The song bit depth selection window will then appear. Track Next, a popup window will appear, allowing you to specify the items whose settings will be carried over from the current song.
You may choose one or more of the following items if desired. Tempo map For example if you have saved effect settings in a library for the current song and would like to use these settings for the new song as well, you would turn on the LIBRARY button. Assigning input signals to tracks Direct recording.
The screen will indicate how input channels are connected to tracks. C 1—8 button If you move the cursor to this button and press the [ENTER] key, input channels 1—8 will be connected to tracks 1—8. D 9—16 button If you move the cursor to this button and press the [ENTER] key, input channels 1—8 will be connected to tracks 9— Check that the increase in level after passing through EQ and dynamics does not cause the signal to clip.
Normally when recording, you do not monitor the input channel signal before it is recorded, but rather the signal after passing through the recorder, via the track channel. This lets you monitor the signal that is actually being recorded, and also lets you adjust the volume and tone of the monitor signal without affecting the signal that is being recorded.
If the track channel fader for the recording-destination track is set to the 0 dB position, the monitor level during recording will be the same as the playback level after recording.
In the screen, a line will be drawn to indicate the connection. Assigning input signals to tracks Bus recording. You can select up to two tracks as the record-destina- tion. If you select track 1, 3, 5, or 7, the signal will be con- nected to bus L. If you select track 2, 4, 6, or 8, the sig- nal will be connected to bus R.
Enabling the metronome Before you begin recording, set the tempo and volume of the metronome. B Metronome knob Adjusts the metronome volume level. The metronome will be turned on. You can set a tempo in a range of 30— BPM. Copy the settings of input track channel x to y, and pair them. Copy the settings of input track channel y to x, and pair them. Initialize both input track channels, and pair them. Cancel pairing. Using the input library The input library is a library of settings used to apply internal effects, EQ, or dynamics settings to the input signal when you want to record the processed signal.
The following popup window will appear. The input library data is organized into the following categories. Number Abbreviation Category 00 Data for initializing the input channel. You can only view or download manuals with. Sign Up and get 5 for free. Upload your files to the site. You get 1 for each file you add. Get 1 for every time someone downloads your manual. Buy as many as you need.
View and download manuals available only for. Register and get 5 for free. Upload manuals that we do not have and get 1 for each file. Get 1 for every download of your manual. Buy as much as you need. Remember to back up your data About the built-in CD-RW drive Using the CD-RW drive Connecting the AC adaptor Features of the AW AW terminology Recorder section Mixer section Quick Loop Sampler section Parts of the AW and what they do Top panel Rear panel Front panel Basic operation on the AW Viewing the display Editing a value in the display Inputting text Using the Selected Channel section Loading the demo song Playing the demo song Mixing the demo song Connecting your instrument or mic Adjusting the input level Creating a new song Direct recording and Bus recording Assigning input signals to tracks Direct recording Assigning input signals to tracks Bus recording Enabling the metronome Recording on a track Using the input library Using the EQ library Using the dynamics library About overdubbing Assigning the input signal to a track Instantly recalling an EQ library Instantly recalling a dynamics library Setting the mix balance and pan Use this method if you do not want to create silence between each track of the CD, or if you want to write a single song divided into multiple tracks on the CD.
You will need to perform this operation on a disc that has been used to store computer data etc. This is referred to as the CD Play function. About the quick loop sampler The AW contains a quick loop sampler that lets you play stereo waveforms samples by striking the four pads.
Each pad 1—4 has four sample banks A—D to which you can assign samples. Page About the quick loop sampler A sample can be played back in one of two ways. Page Using Sample Libraries Using sample libraries Sample libraries contain sets of up to sixteen different samples that can be used by the Quick Loop Sampler. When the AW is shipped from the factory, sets of samples such as drum loops and sounds effects are stored on the hard disk as sample libraries. However if no sample is assigned, nothing will play and the pad will not light.
You can either assign a sample to the pad, or switch the sample bank. At the right is shown the name of the sample for the sample bank selected for that pad. At the right is displayed the name of the sample assigned to the sam- ple bank selected for that pad.
Switch the internal settings of the AW to enable digital recording. For details on digital recording settings, refer to page Page Using The Slice Function Using the Slice function Slice is a function that divides a sample whose playback mode is set to Loop into eight to six- teen segments, and adjusts the timing of each segment so that it can be played at a different tempo without affecting the pitch.
Page Track Editing This chapter explains how you can edit the audio data recorded in an audio track, and how to edit the pad events recorded in a pad track. What you can do using editing commands The AW provides various editing commands for editing the recorded audio tracks and pad tracks.
Page Basic Procedure For Track Editing What you can do using editing commands Basic procedure for track editing Here is the basic procedure for using a track editing com- mand. The procedure is essentially the same for all track editing commands. Most of the AW functions are temporarily off while this mode is engaged.
Page Song Management Song management This chapter explains how to perform song management operations such as copying, deleting, backing up, and restoring songs. Page Editing The Song Name The following operations are possible by directly access- ing the data on the internal hard disk from a computer. Before you perform this proce- dure, load the song whose settings you want to edit.
Use great caution when deleting a song. This format can only be used with bit songs. The current song will be saved automatically, and the restore operation will begin. This area contains the following two items. During execution, a popup window will indicate the progress. Connect the AW to your tone generator module as shown in the following diagram. The effect sound will be heard in stereo.
Use on the two-track mix for any type of song. Page Eq Library List These are the preset equalizer settings provided by the library. Name Bass Drum 1 Emphasizes the low range of the bass drum and the attack created by the beater. Bass Drum 2 Creates a peak around 80Hz, producing a tight, stiff sound. Snare Drum 1 Emphasizes snapping and rimshot sounds. Page Dynamics Parameters Dynamics Parameters Dynamics processors are generally used to correct or control signal levels.
However, you can also use them creatively to shape the volume envelope of a sound. The AW features com- prehensive dynamics processors for all the input channels, tape returns, and the bus and stereo outputs.
By attenuating the signal below the threshold, the expander reduces low-level noise and effectively increases the dynamic range of the recorded material. For details on the function of each parameter, refer to page Page Effects Library List Three-phase stereo chorus. A Yamaha proprietary effect that produces a richer and more complex modulation than chorus. Stereo phaser with 2—16 stages of phase shift.
An effect which cyclically moves the sound between left and right. Filter DYNA. Flange DYNA. Phaser DYNA. DLY 0. RATIO 0. DLY L 0. DLY R 0. Page Sample Library List Sample library list This is a list of the sample libraries that are installed on the internal hard disk when the AW is shipped from the factory. The internal hard disk will be initialized. Format INT.
Audio Data Too Short! The sample is too short. Buffer Underrun! A buffer underrun error was encountered while writing to the CD. CD Import Prohibited!
Page Display message list Protected! Read-Only File! Region Full! Selected Pad Not Assigned. As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows:.
Making sure that neither core is connected to the earth terminal of the three pin plug. E PLAY [ ]. PLAY[ ]. PLAY [ ]. Welcome to ManualMachine. We have sent a verification link to to complete your registration. Log In Sign Up.
Forgot password? Enter your email address and check your inbox. Please check your email for further instructions. Enter a new password. AW Operation is subject to the following conditions: 1 this device may not cause harmful interference, and 2 this device must accept any interference received including interference that may cause undesired operation.
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